Quando da giovane ne interpretò in anteprima alcune parti - quelle del secondo libro, tuttora le sue preferite - nessuno, nemmeno l'autore, poteva prevedere che l'esecuzione completa dell'opera avrebbe poi richiesto quasi dieci ore: lo rivela il pianista, Daan Vandewalle, a proposito dell'incredibile tour de force The Road concepito e composto da Frederic Rzewski (1938-2021) nell'arco di una decina d'anni, ora consegnato definitivamente alla belga Passacaille Records. In nove cd.
A singular monument in contemporary music, The Road is Frederic Rzewski's magnum opus - a nearly nine-hour odyssey for solo piano composed between 1995 and 2003. Conceived as a novel for piano, the work unfolds across eight expansive books (64 "miles"), each exploring the unpredictable, often chaotic path of life. Rzewski deliberately turned away from the ideal of the perfect form, embracing instead the fractured, the absurd, the political, the intimate, and the philosophical. The cycle draws on everything from American folk songs and avant-garde percussive effects to the literary voices of Gogol, Tolstoy, Chekhov and Dostoevsky, weaving autobiography with social commentary in a way that is deeply personal and boldly universal. Musically, The Road is encyclopedic. It spans fugal writing, jazz, free improvisation, virtuosic fantasy, and the spoken word, often within the same piece. It recalls the tradition of domestic piano literature, but on an epic scale, oscillating between private reflection and public confrontation. The interpretation of this work requires not only technical prowess but also an intimate understanding of its creator. Pianist Daan Vandewalle premiered the first two books of The Road and remained an artistic confidant throughout the creation of the remaining volumes. As Rzewski himself said near the end of the cycle: "I failed to make a revolution, but I am still here." The Road is not a solution - it is an enduring act of resistance, presence, and creation.