29 aprile 2026

Problemi tecnici nello streaming hanno reso difficile seguire da remoto l'esecuzione collettiva di Conspiracies, composizione di Chris Cutler affidata il mese scorso a un gruppo di studenti del primo anno del corso di Esecuzione e Produzione Musicale presso l'University of East London; con loro c'erano Yumi Hara Cawkwell e Guy Harries, che all'UEL sono di casa come professori associati, oltre naturalmente a Cutler e per l'occasione anche alcuni titolari del progetto Household Objects. La performance è stata comunque registrata in video ed è ora visibile senza interferenze - priva però dell'interessante discussione che vi ha fatto seguito - presso il canale YT di Yumi Hara.

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28 aprile 2026


A un anno dalla scomparsa di David Thomas (1953-2025) tutto tace al sito ufficiale dell'Ubu Projex e alla relativa vetrina su Bandcamp, alimentando perciò l'attesa - per ora delusa - di notizie riguardanti l'album cui i Pere Ubu stavano lavorando nel corso del 2024 malgrado l'improvvisa e dolorosa perdita di Gagarin (ovvero Graham Dowdall). Unica fonte semi-ufficiale di informazione e recupero di materiali d'archivio rimane al momento il canale Patreon, mentre su FB Kiersty Boon lascia filtrare almeno i messaggi e i contributi più recenti e rilevanti. Tra questi c'è senz'altro quello di Alex Ward a proposito del doppio-triplo evento del mese scorso a Brighton & Hove e Londra, con proiezione del documentario David Thomas and The Cup, mostra e scambio di cimeli e rarità, interventi del Moon Unit resi ancor più speciali dalla partecipazione di Steve Mehlman: "There is a general feeling amongst us that the Ubu methodology and personnel has plenty more to give in a live context (and it's well documented that it was David Thomas's intention that this should continue beyond the span of his own lifetime) - but who knows when you'll be able to hear this exact lineup next, as flying a drummer over from the US is sadly not something one can do every week. I know I'm not the only one who has been hoping for close to a decade to hear Mr. Mehlman's drums in person again, and the fact that I got to be standing only a metre away from him when it finally happened is about as potent as musical experiences get, even before one factors in the obviously emotionally charged nature of the occasion."

27 aprile 2026

Esce in digitale per l'inarrestabile Scatter Brixton 1982, un curioso documento audio inedito con protagonista Lol Coxhill assieme a Susanna Ferrar e Sylvia Hallett - più un quarto imprevisto ospite - registrato al volo a Londra a fine dicembre 1982 e preservato su audiocassetta dalla stessa Ferrar. E' lei a ricostruire i fatti di quello specifico evento, e per l'occasione aggiunge altri e successivi particolari sul suo rapporto con il compianto sassofonista: "I think I had met Lol a year or two before then, and Sylvia would have known him longer. I met him at Rougham Tree Fair one summer, when I was fairly new to the world of free improvisation. There was a directory of members of the LMC and people could ring up other members and suggest getting together to play. That was how I met Derek Bailey, for example, and a bit later Evan Parker. I had been going to as many of Evan's gigs as I could, so when Luc Houtkamp said to me, in 1986, I think it was, "Who would you like to play with but you don't dare ask?" I replied, "Evan Parker". He dared me to ask him and so I did - but that is a story for another time. When I met Lol, it was completely out of every other context. I was at the Fair with my family: husband and son. I heard the sound of Lol's saxophone from quite far away, but relayed over the speaker system. I wandered along, gradually tracking the sound to its source and there was Lol, standing on the stage with his soprano... I asked if I could play too and he said I could, so I did! After that we had ideas of going busking, but never quite got around to it, though we did play at the Millennium Dome in the year 2000, causing a certain amount of consternation in our small, contained way. In the week before he died, much much later, I had the immense privilege of being the last musician to play to him, in the hospital ward."