17 gennaio 2025

 

Anche un'altra illustre istituzione cittadina a Birmingham, la Facoltà di Arti Design e Media, ufficializza un'importante acquisizione: l'intera collezione della fanzine Facelift, diciannove numeri in formato cartaceo realizzati nel decennio tra la fine degli anni Ottanta e Novanta - più un ventesimo pubblicato più tardi online - donati direttamente dall'autore, Phil Howitt.

"This collection contains the complete run of Facelift a music fanzine that ran for 19 issues from 1989 to 1998. Facelift, or as was latterly known, Facelift-The Canterbury Scene And Beyond was first published in 1989 by Phil Howitt on a xerox machine. Phil was inspired by Pete Frame's rock family tree which made the author aware of how prolific the music scene from the Canterbury area was in the late 1960’s, and how deserving the topic was of more attention than it garnered from mainstream music media such as NME and Melody Maker. By the second issue production became more professional and it had moved from being printed on xerox to being published by Opel Press, later it would move to the Juma Press. The fanzine concerned itself primarily with the progressive rock music/jazz fusion scene of the 1960’s and 70’s that centred on Canterbury, Kent. It contained articles about and interviews from bands and artists such as Caravan, Bill Bruford and Soft Machine, as well as family trees charting the fluid movement of musicians between groups. The final issue was published in 1998, as other projects took precedence for Phil Howitt, however in 2006 a final 20th issue was released online as a digital issue. This collection of Facelift fanzines was donated to the Arts, Design and Media Archive in 2023 by Phil Howitt."

https://www.bcu.ac.uk/arts-design-and-media/phil-howitt

16 gennaio 2025

 

Un messaggio di buon augurio da parte di Herm Mew, vedova del compianto Phil Miller (1949-2017), rammenta che presso il Royal Birmingham Conservatoire non soltanto si è fatto tesoro del ricco lascito di materiali documentali del Nostro - audio, video, scritti, manoscritti e partiture - ma è stata riconfermata la volontà di promuoverne la divulgazione anche attraverso i concerti della Legacy Band, formazione costituita da allievi musicisti dell'istituto pronta a incontrare il pubblico di club e festival vari nel corso del 2025. A far da biglietto da visita sono le piacevoli versioni di alcuni classici milleriani - No More Mr Nice Guy, Calyx e Delta Borderline - riprese in occasione del debutto a febbraio dell'anno scorso, proposte al sito del Phil Miller-The Legacy e disponibili anche su YT.

https://philmillerthelegacy.com/the-phil-miller-legacy-band
https://tinyurl.com/PM-LegacyBand

15 gennaio 2025

 

Oggi a Southend on Sea e domenica prossima a Walton-on-Thames (Regno Unito) si presentano due splendide occasioni per sentire dal vivo le musiche di Mike Westbrook rilette da Chris Biscoe per piccolo ensemble strumentale come già nell'album Music Is (Trio Records, 2022). Con il sassofonista ci saranno Kate Williams, Mike Outram, Dave Whitford e Jon Scott, alle prese tra gli altri con Mama Chicago, Aggro-Vancouver-Desperado, View From The Drawbridge, July '79, Graffitti, Wasteground and Weeds e due classici da sempre tra i preferiti di Mike, You Leave Me Breathless e Johnny Come Lately. Al secondo dei due concerti sarà possibile assistere anche in live streaming su YT: Chris Biscoe Plays Mike Westbrook.

"Mike Westbrook is one of the most important composers in jazz with a huge body of work from small band jazz through big bands, cabaret, fusion, chamber works, opera, settings of poetry, creative re-workings of Rossini and The Beatles’ Abbey Road, always retaining his unique character. The idea behind Music Is is a simple one: take some of these great pieces out of their context and play them with a small jazz group, as you might an Ellington, Monk or Gershwin song."

https://www.chrisbiscoe.co.uk/diary.shtml
https://www.facebook.com/ChrisBiscoe.Jazz