18 gennaio 2026

Annunciato, atteso, rinviato, finalmente ora è qui (ed è una delizia!): il nuovo album di Petter Herbertsson come Sternpost, affidato stavolta alla statunitense Concentric Circles, è unworld.afterpop.

Concentric Circles is incredibly honored to present new recordings from Sternpost, with a release that reminds you that sometimes a really good, fully formed album is the best way to experience music. Immersive and transportive yet also inherently catchy, unworld.afterpop is ample evidence that we are in the graces of a thoroughly gifted songwriter at the top of his craft.

https://sternpostulrika.bandcamp.com/unworld-afterpop

17 gennaio 2026

Si riascolta tramite Mixcloud la speciale puntata di inizio d'anno del programma The Curve Ball dedicata ai trenta migliori titoli, nelle scelte di Chris Evans, prodotti nel 2025. Primo tra tutti, con ampio merito, l'album di Louis Philippe con The Night Mail uscito a inizio maggio per Tapete Records, lo splendido The Road To The Sea.

https://www.facebook.com/TheCurveBall
https://www.mixcloud.com/curve-ball-top-30-albums-2025

16 gennaio 2026

Mike Westbrook congeda il 2025 ripensando alle ultime note eseguite in pubblico dalla Band of Bands, l'inattesa ripresa di un celebre tema dedicato ai compianti Danilo Terenzi e Tony Marsh a conclusione del concerto dello scorso 23 novembre al Livermead Cliff Hotel di Torquay: "Torquay was one of those gigs that nobody wants to end. We’ve said pretty well everything that needs to be said, in music, song and improvisation. What’s left? My only thought was a reprise of D.T.T.M., which we’d played in an extended version during the set. There are a few well wrought, time honoured phrases in that short song that are pure gold. I needed to hear them again. Both as an end-of-year signing off and a promise that this special blues will be there next year, and forever. There was a moment of confusion before Marcus took charge, followed by Matt on keyboard, while Pete and Chris were deciding what should happen next. Then the two altos were joined by Karen’s accordion in that bewitching unison sound which is such a feature of the Band of Bands. Quiet and soulful at first, then with Coach and Marcus slipping effortlessly into gear, and choice fills from Matt, taking the line to its passionate conclusion. Kate and I weren’t playing. Just to be there was enough."

https://www.westbrookjazz.co.uk/pictureshow/January2026.shtml