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In che modo e perché sia giunto a scegliere la voce di Robert Wyatt per alcuni momenti cruciali del suo film Fuori - al debutto in questi giorni nelle sale cinematografiche italiane dopo la presentazione a Cannes - Mario Martone lo spiega a Variety: "I never think about the music before shooting, never. I usually almost always use repertoire. And I work on it when I edit. So I started editing and I was looking for a female voice to create a sonorous off-voice, evocative of a Goliarda. But we never come across the right voice. And then, I don’t even know how, from what corner of my mind Robert Wyatt came to me. The fragility of his voice, the vitality and at the same time that sense of anxiety, that is in his songs. So I thought: who cares if it’s a male voice, it’s the voice of a soul. And it was a soul that suddenly I felt was able to have an intense dialogue with the soul of Goliarda Sapienza." Nel film, assieme alle musiche originali di Valerio Vigliar e varie altre citazioni, ci sono Memories, Blues in Bob Minor, Little Red Riding Hood Hit The Road, The British Road e Round Midnight.
https://lucysullacultura.com/appunti-su-fuori-di-mario-martone